1、It is widely acknowledged that the end of the 19th century was the most flourishing period in the development of Beijing Opera.

A、错
B、对

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2、The Four Famous Players of Peking Opera were: “Mei” (Mei Lanfang), “Shang” (Shang Xiaoyun), “Cheng” (Cheng Yanqiu), and “Xun” (Xun Huisheng).

A、对
B、错

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3、Over the past hundreds of years, the roles of Peking opera have been simplified to today’s Sheng, Dan, Jing and Chou, known as the four major roles in Peking opera.

A、对
B、错

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4、Theshengis the female role in Peking opera.

A、对
B、错

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5、The performance of a Peking Opera actor can be summarized into four basic aspects: singing, speaking, acting, and fighting.

A、错
B、对

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6、Speaking refers to character dialogs, which serve to propel the development of the story.

A、对
B、错

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7、The virtuality of Peking Opera consists of two aspects: one is virtual movements, and the other virtual settings.

A、错
B、对

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8、Virtual movement refers to imitating actions onstage. For instance, rowing a boat.

A、错
B、对

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9、One purpose of mask is to indicate the identity and character of the role. For example, a “red face” means the person is loyal and brave; a “ ” signifies the person is straightforward; and a “white face” identifies the person as crafty and evil.

A、yellow face
B、black face
C、blue face
D、green face

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10、Which play is not the representative play of Mei Lan Fang in Peking Opera?

A、Women General Mu Guiying(穆桂英挂帅)
B、At Crossroad(三岔口)
C、The Drunken Concubine(贵妃醉酒)
D、The Lance of the Universe(宇宙锋)

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11、Thedan（旦）refers to any female role in Peking opera. Dan roles were originally divided into subtypes.

A、4
B、3
C、5
D、2

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12、Chouroles can be divided into , civilian roles such as merchants and jailers, andwuchou, minor military roles.

A、chou
B、wu chou
C、Wen chou
D、xiao chou

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当前位置：首页 ＞课程 ＞中国文化英语

1、It is widely acknowledged that the end of the 19th century was the most flourishing period in the development of Beijing Opera.

2、The Four Famous Players of Peking Opera were: “Mei” (Mei Lanfang), “Shang” (Shang Xiaoyun), “Cheng” (Cheng Yanqiu), and “Xun” (Xun Huisheng).

3、Over the past hundreds of years, the roles of Peking opera have been simplified to today’s Sheng, Dan, Jing and Chou, known as the four major roles in Peking opera.

4、Theshengis the female role in Peking opera.

5、The performance of a Peking Opera actor can be summarized into four basic aspects: singing, speaking, acting, and fighting.

6、Speaking refers to character dialogs, which serve to propel the development of the story.

7、The virtuality of Peking Opera consists of two aspects: one is virtual movements, and the other virtual settings.

8、Virtual movement refers to imitating actions onstage. For instance, rowing a boat.

9、One purpose of mask is to indicate the identity and character of the role. For example, a “red face” means the person is loyal and brave; a “ ” signifies the person is straightforward; and a “white face” identifies the person as crafty and evil.

10、Which play is not the representative play of Mei Lan Fang in Peking Opera?

11、Thedan（旦）refers to any female role in Peking opera. Dan roles were originally divided into subtypes.

12、Chouroles can be divided into , civilian roles such as merchants and jailers, andwuchou, minor military roles.

中国文化英语

当前位置：首页 ＞课程 ＞中国文化英语

1、It is widely acknowledged that the end of the 19th century was the most flourishing period in the development of Beijing Opera.

2、The Four Famous Players of Peking Opera were: “Mei” (Mei Lanfang), “Shang” (Shang Xiaoyun), “Cheng” (Cheng Yanqiu), and “Xun” (Xun Huisheng).

3、Over the past hundreds of years, the roles of Peking opera have been simplified to today’s Sheng, Dan, Jing and Chou, known as the four major roles in Peking opera.

4、Theshengis the female role in Peking opera.

5、The performance of a Peking Opera actor can be summarized into four basic aspects: singing, speaking, acting, and fighting.

6、Speaking refers to character dialogs, which serve to propel the development of the story.

7、The virtuality of Peking Opera consists of two aspects: one is virtual movements, and the other virtual settings.

8、Virtual movement refers to imitating actions onstage. For instance, rowing a boat.

9、One purpose of mask is to indicate the identity and character of the role. For example, a “red face” means the person is loyal and brave; a “ ” signifies the person is straightforward; and a “white face” identifies the person as crafty and evil.

10、Which play is not the representative play of Mei Lan Fang in Peking Opera?

11、Thedan（旦）refers to any female role in Peking opera. Dan roles were originally divided into subtypes.

12、Chouroles can be divided into , civilian roles such as merchants and jailers, andwuchou, minor military roles.

中国文化英语

当前位置：首页＞课程＞中国文化英语